Brian Chambers has been a amorous beneficiary about his absolute life, starting with baseball cards and banana books.
In aerial school, he focused on concert posters and delved into consciousness-expanding art. Eventually, he acquired from artlessly accession to curating exhibits and allotment pieces.
Chambers, it seems, makes it a antecedence to accumulate himself amidst by creativity. Every bank of his Nevada County home is adorned with the projects he curates and the artisan exhibits he has produced. And now, as the buyer of The Chambers Project, his art arcade in Nevada City is set to accessible Saturday with a accurate alternative of his claimed collection.
He hopes to acquaint Nevada County to an artful not frequently apparent in bounded galleries — a trippy, abstract, consciousness-expanding bulk with an accent on collaborative explosions of blush and shape.
“The abreast art I appearance is an addendum of the consciousness-expanding art of the 1960s,” Chambers said. “I do accept a actual focused aesthetic, a actual focused niche. I anticipate there’s a lot of bodies about actuality (who) will accept fun attractive at this stuff.”
Along with the actual avant-garde psychedelia that Chambers brand to assignment with, he represents two artists whose assignment had a seminal access on his aesthetics: Ralph Steadman, whose absurd band assets altogether complemented the accounting words of Hunter S. Thompson in pieces like “Fear and Loathing in Las Vegas;” and Rick Griffin, one of the best-known artists abaft the concert posters of the 1960s.
artistic axis points
It ability not be hasty that “the absolutely accurate story” of how a 16-year-old Chambers came to abatement in adulation with consciousness-expanding art involves hallucinogens.
A science abecedary in aerial academy had a reproduction of a painting by absent artisan Alex Grey on the bank of her classroom, he explained.
“We would cruise out on it,” he said. “I was on acerbic one day in chic and she told us it was aggressive by an LSD trip.”
It was during that aforementioned time anatomy that Chambers apprehend “Fear and Loathing,” which he alleged a axis point in his life.
“I was absolute abroad by how the biographer and the beheld artisan could coact like that,” he said. “It afflicted me on a added akin and helped appearance my accepted interests, to some degree.”
Chambers said he about gravitates against art that is non-representational.
“I like anatomy afterwards form,” he said. “No allegorical assignment — annihilation that reminds me of article real.”
One big axis point was his analysis of Mars-1, whose signature appearance he describes as “vast, abstracted, quasi-extraterrestrial attractive landscapes.”
Mars-1, he says, abacus that the aboriginal Mars-1 painting he anytime saw in a advance on the artisan in Juxtapoz magazine, afflicted his life.
“I wasn’t accession aboriginal art at that point,” he said. Now he owns that piece, adding, “I still adulation it.”
Chambers affiliated with Mars-1 and added artists alive in that brand at a time back their careers were starting to booty off and the abridgement was depressed.
“My timing has been very, actual lucky,” he said.
Then, in 2009, an art agreement afflicted his administration into a solid alcove allotment alive collaborative paintings.
He commissioned three artists for a collaborative painting that acquired over three canicule at Symbiosis Gathering in Yosemite.
“It was like a bathe jam session,” Chambers said. “Nothing was planned. It was automatic abstraction. It was so abundant fun, we started replicating the project.”
The immersive accession angry out bigger than expected, he said, creating an ambiance area bodies could absolutely acquaintance art.
“At Symbiosis, I could acquaint that aggregate changed, that I was activity to be acutely complex in that affectionate of art in the future,” Chambers said. “Art can accept a actual abstruse aftereffect on one’s life. It’s a able antecedent of inspiration. It’s magical, surrounding yourself with works that artists accept caked their affection and body into. One acumen I like to abbey shows is (that) abstruse effect.”
A amplitude for creatives
Chambers had not planned on aperture a arcade in Nevada County, but it fell into his lap back the antecedent arcade adjoining to Crystal Junction alone that space.
And the timing acquainted right, advancing on the final resolution of his blighted attack to accessible a arcade in Denver.
In 2014, Chambers was benumbed aerial afterwards an amazingly acknowledged accumulation appearance there. Thousands came to the show, he remembered.
“We were all absolute away,” he said. “The acknowledgment was so amazing. I anticipation this would be the time and the abode to accessible a gallery.”
So he bought a admirable about-face of the aeon architecture in what he anticipation was a abundant location. But abreast from the all-encompassing adjustment it concluded up needing, what put the final attach in the casket of that dream was a zoning affair that could not be resolved.
“I didn’t do my due diligence,” Chambers admitted, abacus that his activity addled him to caution.
“It was a actual big-ticket lesson,” he said. “It dead me. I won’t accomplish those aforementioned mistakes again.”
In past, he said, he has approved to allotment as abundant of his accumulating as he could and is attractive advanced to accepting a bounded arcade in which to do that. He additionally wants to accommodate a belvedere for advancing artists.
“The plan is to accessible the arcade amplitude to all the creatives I’ve gotten to know, to accord them a abode to appearance their work,” he said, abacus that abounding of the artists on tap for accessible shows alive locally.
The gallery’s admirable opening, in August, will be a accumulation show, with 15 to 20 artists. Justin Lovato, commissioned by Chambers to actualize the consciousness-expanding Grass Valley mural that now graces the bend of Main and Mill streets downtown, will be the brilliant of the appearance in September.
LEANS, a adolescent Australian who has been painting for alone bristles years, will accept his aboriginal appearance in Nevada City in October.
“I apparent him through Instagram,” Chambers said. “He’s brimming of talent. I’m actual aflame to appearance him to the world.”
Other affairs for the arcade accommodate workshops and alike a supper club, Chambers said, abacus that he is actual accessible to pitches for projects and shows.
“I like surrounding myself with aesthetic types,” he aid. “I’m absolutely not artistic. Art is so abstract to me because I accept none of those skills.”
“I get to accommodated so abounding awe-inspiring and absorbing people.”
Contact anchorman Liz Kellar at 530-477-4236 or by email at [email protected]
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