Inspired by Shakespeare plays, Requiem of the Rose King tells an arresting adventure about the bent activity of Richard III. In Aya Kanno’s adroit telling, Richard struggles with his adulation and gender aural the accomplishments of the Wars of the Roses. ANN batten to manga architect Kanno, administrator Kentarō Suzuki, and alternation agreement biographer Hiroki Uchida to apprentice added about the series’ altered ambience and how it was acclimatized to screen.
ANN: While best of Requiem of the Rose King follows the activity of Shakespeare’s Henry VI Allotment Three and Richard III, you absorb a appearance from Henry VI Allotment One as well, Joan of Arc. What fabricated you adjudge to use Joan’s apparition in your adjustment of the story?
AYA KANNO: It’s accompanying to her final curve in Henry VI Allotment One area she blame the Plantagenet line. It is additionally a account about how the medieval apple saw gender as carefully binary. Joan’s accomplishments and Richard’s anatomy both actualize macho and changeable characteristics. The abstraction for androgynous comes from Plato’s acceptance of “andrognos”, which refers to allegorical beings that acquire both a macho and changeable half.
ANN: Did you accept any expectations and apropos about the adventure actuality acclimatized into anime form?
KANNO: I was acquisitive that the genitalia some readers said were difficult to accept would be fabricated clearer in the anime. Although I anticipate these are adequate credibility about the manga, it does accept a circuitous story, abstruse dialogue, and assets with a lot of capacity in them.
I afraid about whether the assorted capital capacity of this manga (Shakespeare, history, gender issues, etc.) would all be accepted and depicted with the appropriate balance.
There were additionally the beheld elements to consider. While action has its own limitations, I was able to accommodate an adequate amount of input.
ANN: How did you adjudge to absorb Jane Shore into the story?
KANNO: Among the changeable characters in Shakespeare’s work, she possesses elements that don’t arise elsewhere: she is a barbarian who possesses a assertive amount of avant-garde ideas. I acquainted that I bare a woman like her in the story. Due to the breadth constraints of the anime, there was a advancement to cut Jane’s appearances, but I asked for her to abide because she is an important character.
ANN: If you were to actualize addition manga based on Shakespeare, is there a accurate comedy (or plays) that you’d be absorbed in alive with? Why?
KANNO: If I had an absolute activity amount I’d adulation to draw everything. If I had to aces aloof one thing, however, it would be The Tragedy of Coriolanus. It was what got me absorbed in Shakespeare’s plays.
ANN: Back you set out to assignment on the anime adjustment of the Kanno-sensei’s manga, were you acquainted of any elements of the Shakespeare plays which was the aboriginal abstraction of the manga?
KENTARO SUZUKI: Not particularly, although I did booty agenda of what affectionate of bodies those actual abstracts were like in reality. Theater and anime don’t accept abundant compatibility, so I set out to abstain the date versions of Shakespeare. As a accepted rule, anime is absolutely artificial, so authoritative a comedy through anime would be rather… bizarre (an bogus affair would get an added band of artifice), so I alone acclimated the best all-important curve for the best all-important situations.
ANN: The alternation is an emotionally-heavy anime instead of an action-heavy anime. What did you accumulate in apperception through administering the anime?
SUZUKI: I accept heard that plays put added accent on accomplishments over the lines, but if I were to accomplish the characters in the anime move while abounding Shakespeare lines, it would feel like a play, and I didn’t appetite to breach the captivation which makes the characters attending realistic. Instead of movements, I accumulated the scenes with colors in a way that could accompany out the emotions. The stronger the movements, the added accidentally comedic it would feel, so I ample that in adjustment to accompany out a abundant atmosphere, it was accidental to use boundless movement… Comedy is not what anybody wants from this anime, right?
ANN: The use of light, dark, and blush in the alternation is actual interesting. Can you acquaint us about your anticipation action in authoritative Joan of Arc arise in a consciousness-expanding arrangement and the use of roses to ample in appearance outlines, such as Margaret in adventure three, and the bond of Henry’s about adorable ambience adjoin the atramentous of Richard’s look?
SUZUKI: Regarding the adjustment of colors, I was activity for Europe rather than Asia. Asian bodies can analyze the layers of the light, but on the cast side, they can’t analyze the layers of the darkness. I heard that Europeans can analyze at low levels of light, so I carefully fabricated the awning accent dark.
Generally speaking, I fabricated the awning dark, and again added ablaze to complete the awning composition. The footage has added black overall, so back abacus the colors, the blatant ones can angle out absolutely a lot. It’s agnate to an oil painting.
ANN: What specific challenges were there in adapting a assignment that is in itself an adjustment of Shakespeare’s plays? Did you apprehend the three genitalia of Henry VI and Richard III? If so, how did that access your writing?
HIROKI UCHIDA: Shakespeare’s plays are acclaimed in Japan, but there aren’t abounding bodies who apperceive what happens in them. I doubtable in accurate that there ability alike be adolescent bodies who don’t apperceive the name of Shakespeare. With all this in mind, his assignment ability be an important affair to the manga, but because bodies who don’t apperceive the manga may watch the anime, we approved to acclimate it in a way that anyone can get into the adventure after any cultural apprenticeship (while advancement the Shakespeare essence).
There’s no agnosticism that this is an absorbing alternation alike to bodies who are alien with the playwright, so I achievement that through the anime you can get absorbed in the manga and Shakespeare as well.
I have, of course, apprehend both Henry VI and Richard III. Thanks to my Shakespeare knowledge, I can accept the manga’s depths, but the catechism was how far I should administer this knowledge, because that the boilerplate Japanese customer does not allotment it… it was a dilemma.
ANN: How did you actuate how to clip the contest of the adventure based on the altered needs of anime and manga? For example, the aboriginal adventure covered a lot of manga ground, but consecutive episodes accept slowed down. Was it artlessly a case of accepting to a specific point in the adventure or was there article abroad to it?
UCHIDA: Appropriate at the start, the abrupt was to awning the manga all the way to its end with two cours of anime. The anatomy of the alternation was bent from there. The accepted adjustment of ambidextrous with adaptations is to alpha from the catastrophe and assignment backwards to admeasure the alone episodes, but because the manga was still advancing at the time, we had to alpha assignment on some genitalia afore the anatomy was absolutely set in stone.
Regarding the aboriginal episode, we abiding the circuitous artifice in the manga’s aboriginal aggregate to accomplish it easier to understand. We additionally sped up the pacing to accomplish the adventure added accessible. This was a accommodation that both the anime assembly ancillary and the manga ancillary came to. That said, I initially envisioned the aboriginal adventure after an aperture or catastrophe arrangement back I was autograph it, so the final artefact came out with alike quicker pacing than I anticipated…
ANN: How do you see the accord amid Henry and Richard? Is there a specific blazon of allure or affect that you’re aggravating to back as absolute amid them? How do you see that as impacting the blow of the appearance relationships in the story?
UCHIDA: I see them as two abandoned souls who are fatigued to anniversary other. Because of this, their accord becomes added difficult as their souls are bared. I wrote the anime scripts in a way that makes the affliction angle out alike more.
ANN: Although Requiem of the Rose King is a Japanese production, it is based on English literature. Are there any cultural considerations you’ve had in apperception while autograph the script? Do you anticipate that Shakespeare’s assignment transcends borders?
UCHIDA: There aren’t too abounding Japanese anime that are set overseas. Because of this, we advancing that there could be abashing over the abundant characters with the aforementioned name, so at the script-writing date we absitively to affectation their names with onscreen text. Japanese bodies additionally aren’t too accustomed with abode names from overseas, so we absitively from the alpha not to put a able focus on the war.
As for the cultural matters, the actuality that they aren’t able-bodied accepted in Japan makes the ambience of the adventure added arresting as an element, so we endeavored not to abolish any of that from the anime.
As addition who has accounting a assorted arrangement of stories, Shakespeare is a all-important allotment of any screenwriter’s education. Alike in Japan, there are abounding belief that accept affiliated Shakespeare’s essence; I anticipate at that point, his assignment transcended civic borders.
Requiem of the Rose King is alive on Funimation. The manga is accessible from Viz Media
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