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♪♪ -Next on ‘Great Performances’… I’m Scott Yoo.

Join me to ascertain the music of Florence Price, a conservatory-trained virtuoso whose ability went abundantly anonymous in her lifetime.

I heard Florence Price played the organ.

-She did. She got a job arena in the theaters.

Playing amphitheater organs like this.

-So that was her day job. -That was her day job.

-That’s how she fabricated money. -Oh, wow.

-But she’s assuredly accepting the absorption she deserves.

This is actually the acquisition of the 21st aeon in classical music.

-Truly. -One, two… -Price fled bigotry in the South, like six actor added Black Americans.

I’ll analyze spirituals and dejection from the South… -♪ Well, if I feel like tomorrow ♪ ♪ Like I feel today ♪ -…that became actuality and applesauce in the Arctic to see how they aggressive her and all American music.

Coming up on ‘Now Apprehend This,’ Florence Price and the American Migration.

♪♪ ♪♪ -I’m at the University of Arkansas to get an central attending at the music of Florence Price, an American artisan from the aboriginal 20th aeon who has alone now been discovered.

-It’s like accepting a altogether affair accepting to attending central of these boxes.

-The annal actuality contains all of Price’s aboriginal manuscripts.

-Violinist Er-Gene Kahng and pianist Karen Walwyn accept been belief her works.

So, Er-Gene, I heard that this music was begin in the attic of some alone house.

So is that true?

-It is true.

All of this music actuality was begin in an alone home abreast Chicago and was acquired by the university.

-The timberline had collapsed into the roof.

The appliance was — tables on top of chairs.

The music was broadcast all over.

-Can you brainstorm if blaze took the manuscripts?

-That’s what’s agitative that this music lives.

-Well, let’s get our gloves on and booty a look.

-How about this one? Let me see what’s in here.

-Tarantella. -Tarantella.

♪♪ Wow.

This is one of the aboriginal dateable compositions that has been recovered.

-This is one of her ancient pieces.

-One of her ancient pieces.

-It’s absorbing that she’s autograph affectionate of a European anatomy in the Deep South.

-This would conceivably best authenticate her appearance as she was afflicted by New England conservatory.

♪♪ ♪♪ Tarantellas were composed for pianists, amazing vitality, strength, dexterity, which resonates with the actuality that if she was because her utensils, afresh she actually had a arresting hand.

♪♪ Okay.

Looks like we’re attractive at ‘Wistful,’ which is from her bristles preludes.

-It’s your music.

-You know, I’m reminded of Chopin and I’m reminded of Schumann.

She writes in such an affectionate way, actually speaks.

It’s about like a whisper.

-For me, actually, it’s the exact opposite.

It’s ability and harmonic anatomy because my acquaintance with Price is afterwards on in her life.

It’s the symphonies and the concertos.

And in fact, I anticipate the violin arrangement is in that box.

I’d adulation to appearance it to you.

♪♪ ♪♪ ♪♪ You know, autography and calligraphy in itself is a convenance and an art.

-You can about use the account to accomplish with.

-Mm-hmm. -Almost.

-We were attractive at Beethoven’s arrangement of his ‘Ghost’ trio.

Scratch out. -Wow.

-Lines and curve and curve of music.

She’s gently, acclaim abrading out an aberrant mark.

You can see that allotment of her personality aloof in her penmanship. -Right.

-This actually reminds me of the Tchaikovsky violin concerto.

And this and this.

-Even the absolute aperture reminds me of Tchaikovsky.

But for me, the affection of this arrangement actually is the additional movement.

This is breadth I feel it is actually Florence Price’s voice.

The airiness that you were speaking of, the soulfulness, the brooding is actually present in the additional movement actuality for me.

♪♪ -So bodies knew that there was a additional violin concerto.

-Yes. -But cipher had anytime heard it, played it.

-The abstraction was that the arrangement was destroyed or absent or about aloof unaccounted for.

-Not to be hyperbolic, but this is actually the acquisition of the 21st aeon in classical music.

-Truly. -Right here.

♪♪ ♪♪ ♪♪ -Er-Gene and Karen are some of the ancient advocates for Price.

Karen is recording all of her abandoned piano music.

Er-Gene has taken her violin works to the stage.

They’re allotment of a growing anatomy of musicians and admirers who accept accustomed the accuracy of Florence Price.

♪♪ Price was built-in in Little Bedrock in 1887, the babe of a dentist and a music teacher.

I went to allocution about her aboriginal activity with Little Bedrock historian and bounded celebrity Sybil Jordan.

Do you anticipate this adjacency looks appealing agnate to aback Florence Price lived here?

It apparently does. -Mm-hmm.

-Her parents were actually appealing able-bodied off.

She didn’t abound up poor.

-She was a allotment of the aristocratic of Little Rock.

-Florence Price’s mother fabricated abiding to accept the best of everything, so she had one of the best complete and big-ticket admirable pianos in her home.

And so she had lots of parties in the active room.

-And because there were not hotels for African-Americans, they were hosted in homes.

And so Florence’s father, Dr. Smith, had the befalling to host Frederick Douglass.

-Really? -Yes.

And aback he spoke, he batten at a amphitheater on Markham, and bodies from the African-American as able-bodied as white association were there.

So we can acquaint what affectionate of association existed in Little Bedrock because it was a allotment of that beyond arrangement of absolute abstruse African-Americans in America.

-Sybil and Karen took me to West 9th Street, what’s accepted as the Black Broadway of Little Rock.

-This was aloof the centermost of life.

There were doctors, lawyers, dentists, my father’s barber, and there were adorableness shops and restaurants and The Gem cine theater.

-So this was about like a burghal aural a city.

-Yes. -A little bit.

One of the important affidavit that we’re continuing actuality additionally is to reflect on an adventure that took abode in 1927, breadth an African-American man was lynched, and that accumulation of lynchers brought him bristles afar all the way bottomward Broadway as a way of authoritative abiding that abhorrence was complete in this community.

His anatomy was taken and afraid in advanced of the Mosaic Templars architecture appropriate actuality and afresh taken over to Bethel Church.

And he was austere application pews from the church.

-Florence Price’s husband, who was an attorney, was animate in that building.

-Yes. It is actually accessible that he was a attestant to this actually appalling experience, and he and his ancestors were amid the families, the abounding families that larboard Arkansas at that aeon of time.

-As bigotry added in Little Rock, West 9th declined.

Eventually its abundant barrio were broken down.

One of the few absolute is Taborian Hall.

That night, I met Jeffrey Allen Murdock, administrator of the University of Arkansas Choir.

So you’re activity to be singing a airy tonight?

-Yes. Yes.

-I heard a little bit of the rehearsal.

I can’t delay to apprehend the complete thing.

So breadth did the airy arise from?

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Is it — Is it about American folk music?

-Absolutely. With slavery, aback Christianity — white Christianity was congenital into the accustomed lives of these people, they leaned aback into the music of their homeland.

And they accumulated that with some of the scriptural references that they learned, and the airy was born.

Spirituals existed in the anatomy of alarm and response, assignment songs, acreage hollers, all of those things.

The spirituals additionally had coded belletrist actually frequently.

Again, in West Africa, a lot of music was acclimated as a anatomy of communication, and it was no altered in the United States.

Many of these songs, which evidently were acclimated in acclaim and adoration to God, were actually acclimated as a agency of escape.

-What were they adage to anniversary other?

-Songs like the one that you’re about to hear, ‘Wade in the Water,’ as the oppressors, as the captors would be closing in, ‘Wade in the Water’ would be a blaring alarm to say, ‘Hey, it’s time to get into the baptize so that the dogs won’t bolt your scent.

Wade in the baptize because this is the aftermost anatomy of baptize that we will cantankerous afore we go to freedom, be it the Ohio River that borders the Arctic or the Mississippi to the West, or the Rio Grande to the South.’

And so these slaves, these singers, these aboriginal musicians acclimated this music to sustain themselves, but additionally as a agency of escape to freedom.

♪♪ -♪ See that man all dressed in red? ♪ -♪ God’s gonna agitation the baptize ♪ -♪ Charge be that man that Moses led ♪ -♪ God’s gonna agitation the baptize ♪ -♪ If you don’t accept that I’ve been adored ♪ -♪ God’s gonna agitation the baptize ♪ -♪ Afresh chase me bottomward to the Jordan beck ♪ -♪ God’s gonna agitation the baptize ♪ -♪ Oh, I stepped in the baptize ♪ ♪ And the baptize was cold, y’all ♪ -♪ God’s gonna agitation the baptize ♪ -♪ Oh, it algid my anatomy ♪ ♪ But not my soul, y’all ♪ -♪ God’s gonna agitation the baptize ♪ ♪ Oh, children, attack ♪ ♪ Attack in the water, accouchement ♪ ♪ Attack ♪ -♪ In the baptize ♪ -♪ God’s gonna agitation the baptize ♪ ♪ God’s gonna agitation the baptize ♪ ♪ God’s gonna agitation the baptize ♪ -♪ Baptize ♪ -From 1910 to 1970, six actor African-Americans larboard the South gluttonous adequation and befalling in the Arctic and West in what’s been alleged the Abundant American Migration.

Many, like Florence Price, acclimatized in Chicago.

Here I met actuality legends Vernon Oliver Price and Lou Della Evans-Reid to apprentice how these new arrivals helped actualize actuality music.

What was it like actuality a changeable actuality choir director?

-There weren’t too abounding changeable admiral around.

Some of the macho admiral had said, because I didn’t accept a degree, they actually wasn’t accepting me too much.

Knowing that, then, I knew breadth my advice had to arise from.

I was abased on Jesus.

-Ah. That’s right.

-And that’s what brought me up and out.

-Same question, Vernon. -Well — -You charge accept faced a lot of resistance.

-I did, but I didn’t stop. I kept going.

Any time I got a chance, I — ‘Ah!’

I breach out in a song.

Like they’d be adage up there, ‘Will somebody accord us a song?’

And I’d be attractive for somebody to accompany a song.

And there ain’t nobody.

I’d sing, ♪ Booty the Lord forth with you everywhere you go ♪ I gave it to ’em.

And afresh aback I get to singing, I’m accessible to shout.

[ Laughter ] I’m aloof cogent it like it is.

-Do you appetite to sing article for us now?

-Oh, if you appetite me to. -Oh, I want.

-Okay. -I want.

♪♪ -♪ Oh, Lord ♪ ♪ Authority to His duke ♪ ♪ God’s abiding duke ♪ -With us were opera singers Rod Dixon and Alfreda Burke and Aretha Franklin’s music director, Fred Nelson III.

-♪ You bigger authority ♪ ♪ Authority to God’s ♪ ♪ Abiding duke ♪ ♪♪ ♪ Time is abounding ♪ ♪ With abrupt alteration ♪ -I forgot to acknowledgment that Mama Lou and Vernon are 90 years young.

Clearly, the spirit moves them.

-♪ Oh, body your hopes ♪ ♪ On things abiding ♪ ♪ Abiding ♪ ♪ You bigger authority ♪ ♪ Authority to God’s ♪ ♪ Abiding duke ♪ ♪ Ohh ♪ ♪ Yeah ♪ ♪ Oh, yeah ♪ -Thank you.

[ Laughter ] -That’s some acceptable ol’ singing there.

-Yeah. -So that’s gospel.

-Oh, yes. -What we aloof heard.

-Hallelujah-good-stuff actuality music there.

-Right. You could apprehend the spirit abaft what she was saying, and that’s what actuality music is all about.

-And that comes from spiritual.

-Yes. -Yes.

-So what was the acceptation of Tommy A. Dorsey?

-He’s the ancestor — -Well, he’s the ancestor — advised the ancestor of actuality music.

-He’s the ancestor of actuality music.

-Right. -Yes.

-Thomas Dorsey actually represented breadth actuality music was on its way to.

He took the airy and fabricated it acceptable to a new and advancing bodies and adolescent people, you know?

And it’s still that way.

-Tommy Dorsey had dejection in his fingers because he acclimated to comedy for Ma Rainey.

And aback he would comedy blues, he additionally acclimated to comedy for his church.

And aback he came to Chicago, he alloyed the two.

So the hymns that he heard, he put the anatomy of the dejection to that.

And aback it was published, aback they were autograph the music bottomward and they were publishing ‘Precious Lord’ in 1938, that started the aureate age of actuality music.

-♪ Oh, Precious Lord ♪ ♪ Booty ♪ ♪ Booty my duke ♪ ♪ Advance me on ♪ ♪♪ ♪ Let me angle ♪ -[ Speaks indistinctly ] -♪ Please, sir ♪ -Please, sir.

-♪ Booty my duke ♪ -♪ Oh, yeah ♪ -♪ Precious Lord ♪ ♪ And advance ♪ ♪ Mmm ♪ ♪ Advance me home ♪ -Yes.

-♪ Precious Lord ♪ ♪ Booty my duke ♪ ♪ Advance me on ♪ ♪ Let me angle ♪ ♪ I am annoyed ♪ ♪ I am anemic ♪ ♪ I am beat ♪ ♪ Through the storm ♪ ♪ Through the night ♪ ♪ Advance me on ♪ ♪ To the ablaze ♪ ♪ Booty my duke ♪ ♪ Precious Lord ♪ ♪ And advance ♪ ♪ Me ♪ ♪ Home ♪ -[ Laughs ] Yes, sir. -Alright, alright, alright.

Where’s that adult at your church, acclimated to bandy her hat?

[ Laughter ] ♪♪ -At the Music Box Amphitheater on Chicago’s Arctic Side, they still comedy bashful films.

♪♪ ♪♪ They can do this because they accept organist Dennis Scott to accompany them.

♪♪ ♪♪ I heard Florence Price played the organ.

-She did. She came to Chicago in 1927 from Little Rock, and she got a job arena in bashful blur theaters.

The Regal Amphitheater on the South Ancillary in Bronzeville opened in February of 1928, and I’d like to anticipate that that’s breadth she apparently played the organ.

It was a big accord aback it opened, and it opened primarily for Black audiences.

So she played the silents. That was her day job.

-That was her day job. -That’s how she fabricated money.

-It was absolute acceptable money.

Yeah, in those days, the organist was a huge allotment of the show.

Everyone had a altered way of playing.

Some bodies played actually from music sheets.

There are things like this.

-So these are the templates for aback the organist sees the — the burglar ample into the window, you comedy that.

-And afresh added bodies improvised.

I’m abiding Florence apparently improvised because she had that affection to her compositions.

You can anticipate things activity on in the music.

It’s not aloof the arena of notes, it’s the cogent of a story.

-I admiration if this wasn’t aloof a gig for her.

I admiration if she got something, if her agreement developed.

-Exactly. I’m abiding that they fed off of anniversary other.

Her bashful blur arena apparently helped her with her composition, and afresh her training and her aptitude contributed to what she added to the blur scores.

-So are you activity to comedy something?

-I am. I’m activity to accompany a blur by Oscar Micheaux.

-Oscar Micheaux?

-Oscar Micheaux was a absolute abounding Black filmmaker, and aback I say filmmaker, he wore all the hats.

He was the director, the producer, he wrote best of his, if not all of his stories.

He was like the antecedent to Spike Lee.

He fabricated 27 bashful films.

That’s a lot of them. -That’s a lot.

-I’m academic that his films played the Regal Theater, breadth I’m academic that Florence Price was the organist.

She apparently played all 27.

-Looking advanced to it. -Alright.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ -Hearing Dennis play, I’m reminded that bashful films were never actually silent.

They had music to accompany them to life.

We’ll never apperceive what abracadabra Florence Price brought to them.

♪♪ But we can apprehend clues in the virtuoso concert music she wrote while arena bashful films like this sonata.

I met pianist Michelle Cann in a Chicago amphitheater from the period.

♪♪ ♪♪ ♪♪ Sounds like the alpha of a Hollywood movie.

It’s so admirable and big.

-It is, yeah, it’s very, absolute epic.

-This is one of my admired pieces of hers.

It’s aloof great.

I feel like there’s article for anybody in this sonata.

There’s a little bit of Rachmaninoff in it.

-There is.

You know, breadth I actually apprehend Rachmaninoff actually is in the alpha of the allegro, the aboriginal section.

♪♪ ♪♪ -Wow, the larboard duke could accept been accounting by Rachmaninoff himself.

-Right?

Yes, abnormally in the bass, you apprehend it.

I alike apprehend — I alike apprehend a little bit of Saint-Saens.

-Really? -I do. It’s this admirable — It’s absolute magical.

It’s arise — arise the beginning.

♪♪ ♪♪ -Wow, it actually sounds French, doesn’t it?

-Yes. Oh, absolute much.

If you told me that was accounting by Saint-Saens, I would actually buy it. -Right?

-I mean, how — how is that possible?

-No, it’s actually amazing.

And what actually amazes me is that anchored into these Romantic idioms, you apprehend music of America and of Black America.

You aloof apprehend folk music, and it’s aloof alloyed in.

Actually, in the extract that I showed you of Rachmaninoff, of course, with the bass, you apprehend that Rachmaninoff sound.

But if I booty abroad the bass and aloof comedy the melody — Listen to this.

♪♪ Right? I mean, you actually apprehend aloof in that melody, and there’s addition allotment in the allotment breadth aback you apprehend it with all of the chords and aggregate else, you’re thinking, ‘Ah, Romantic music.’

♪♪ These admirable — These admirable harmonies.

But again, if I booty abroad the accord and aloof comedy the melody, here’s addition folk song.

♪♪ -It sounds absolute American, -Very American, and it’s consistently authoritative these affectionate of appearances throughout this accomplished sonata if you’re actually alert for it.

-Can I apprehend more? -Absolutely.

-Okay.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ -The aforementioned year she wrote this piece, 1931, Florence Price additionally wrote her aboriginal symphony, which the Chicago Symphony Orchestra alleged for one of their 1933 World’s Fair concerts.

We met symphony archivist Frank Villella in the Auditorium Amphitheater breadth it happened.

How did they accept Florence Price’s symphony?

-So Florence Price entered the Wanamaker competition, and her Symphony in E Minor won the top prize.

And so it was the centerpiece of the additional of the four concerts.

-Fantastic.

-The aboriginal concert actually featured George Gershwin.

-I mean, he was adequately famous.

-He was almost acclaimed at that time, yes.

So Gershwin was in appearance for the premiere of Price’s E Minor Symphony.

-I mean, Michelle, can you brainstorm actuality Florence Price, sitting bottomward there watching the aboriginal achievement of your symphony?

And it’s not by some association orchestra, it’s by the Chicago Symphony.

-I mean, honestly, it’s overwhelming.

I’m aloof apperception how appreciative she charge accept been, aloof like all the affections that had to accept been activity through her, because that she was 46 aback this assuredly happened.

-The 35-year brief sensation.

-Yeah, exactly. -Right.

-So afterwards the symphony was over, how did the admirers respond?

-Frederick Stock invites her to the stage.

The admirers responds.

She’s alleged aback for assorted blind calls, but I can alone brainstorm what it charge accept not alone looked like, but it acquainted like for her on date with 100 white men, but it charge accept been a abundantly arresting angel in 1933.

-What was the analytical acknowledgment to the piece?

-Actually, we accept bi-weekly clippings from several newspapers, and all of them are abnormally favorable.

‘It’s a faultless work.’

‘It is a assignment that speaks its own bulletin with abstemiousness and yet with passion.’

‘Miss Price’s symphony is aces of a abode in the symphonic repertory.’

♪♪ ♪♪ -One, two, three, four.

-This is as Florence Price affiliated to compose and assignment to get her music performed, bags of Southern dejection and applesauce musicians were bringing their music north.

In a adapted church, I went to see allegorical Chicago dejection man John Primer.

♪♪ -♪ Well, if I feel like tomorrow ♪ ♪ Like I feel today ♪ ♪ I’m gonna bolt that old alternation and accomplish my break ♪ ♪ I been afflicted ♪ ♪ I been all afraid apperception ♪ ♪♪ ♪ Well, I aloof can’t be annoyed ♪ ♪ Aloof can’t accumulate from cryin’ ♪ ♪♪ -Here, applesauce musicians Marqueal Jordan and his bandage would explain the affiliation amid blues, jazz, and the Abundant Migration.

♪♪ ♪♪ [ Applause ] So, Marqueal, acquaint me about jazz.

-Where do I start?

Blues is cool important to it because that’s breadth the activity comes from.

That’s breadth the affect comes from, that’s breadth the affection comes from.

And all the added bookish actuality aloof add on top of it.

But afterwards that blues, it wouldn’t complete the same, it wouldn’t feel the same, it wouldn’t move you in the aforementioned way.

I can apparently allege for best of us up actuality — it’s the acumen why we capital to alpha playing, either to comedy the dejection or to comedy jazz.

-So is New Orleans still the centermost of jazz?

-If you alpha to anticipate about the body of it, breadth it was created, the activity of it, the affect of it, actually New Orleans is that, alike admitting in 1918 the music larboard there.

It larboard because they bankrupt bottomward the breadth breadth all the applesauce was demography place.

It was an breadth alleged Storyville.

-So breadth did everybody go aback they were pushed out of Storyville?

-Chicago. -Everybody went to Chicago.

-Everybody went to Chicago.

They followed a adolescent trumpet amateur by the name of Louis Armstrong.

-And actually, Louis Armstrong was aloof afterward his mentor, King Oliver. -That’s right.

-So King Oliver came up to Chicago.

Louis Armstrong followed a little after.

-But Louis Armstrong affectionate of is jazz, right?

-Absolutely. From the way he played, the way he phrased his music, the articulate techniques you use, he was an amazing singer, an amazing showman.

Everything that you appetite to be to be a abundant musician, he embodied it.

-How about some music? -Alright. Let’s do it.

Come on, Louis. Accord me a little bit, man.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ -It sounds like applesauce has lots and lots of dejection in it.

-Right. -Still.

-Yes. You know, if there’s one abundant affair that we can booty from the complete abhorrence of slavery, it is the music and the art and the joy that came out of it, from the dejection to jazz, which birthed bedrock ‘n’ cycle and accent and dejection and all the music that we adulation to this day.

-Mm.

Can the dejection musicians and the applesauce musicians arise calm and comedy a number? -Oh, sure.

-Yeah. -Piece of cake.

Ready, fellas? -Yeah, let’s do it.

-One, two, three.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ -On Chicago’s South Side, Rod and Alfreda took me to accommodated Darrell Green, buyer of Pearl’s Place, to eat body food.

-Ham hocks. -Beautiful ham hocks.

-Look at those big boys there. -And they’re huge.

[ Laughter ] -So, what do you think?

-Oh, my goodness, this is a assignment of art.

-So we had to accept absurd craven here, but we additionally brought out some of our favorites.

-We’ve got close basic that we can go to Alabama with.

We’ve got begrimed shrimp and catfish that’s gonna booty you all the way aback bottomward to the Gulf Coast.

-Whoo-whee. -Creole.

-But afresh we’ve got Mississippi — shrimp and abominable grits.

-Yes, you accept Mississippi.

-So, Darrell, what I see actuality is absurd chicken, begrimed shrimp, collard greens.

This is affectionate of the comestible apotheosis of the Abundant Migration.

-Absolutely. -This is the South that now lives in the North.

-The abracadabra about body aliment is how all of these altered flavors, all these disparate recipes came calm as bodies came together, acquirements new things and now acquirements how to survive in a new area.

And we allocution about this breadth here, Bronzeville breadth as a melting pot.

-Yes.

-It actually is the apotheosis of that clearing breadth we accept altered cultures accepting to apperceive anniversary other, accepting to alloy their flavors, the aforementioned as with body food.

Well, what do you say we eat?

-Okay. -Okay.

-Magic. -Whoo-whee!

-Turns out, Chicago’s food, like Chicago’s music, like all of America’s accepted music, exists because Black Americans from beyond the rural South brought their account calm in the burghal North.

Southern and accepted music were starting to arise added in the assignment of Florence Price and her protégé Margaret Bonds, as Michelle showed me at Chicago’s Symphony Center.

So Florence Price in the 1930s, she wins the Wanamaker Award-winning twice.

Piano sonata, aboriginal symphony.

She’s autograph in a absolute Romantic style.

-Mm-hmm. -What happens afterwards that?

-Well, Black American music is acceptable absolute popular.

Now you’re audition a lot of jazz, you’re audition the blues, actuality music, and bodies are actually all-embracing spirituals.

They appetite to apprehend spirituals.

It’s amazing because for Florence Price, as you can imagine, she grew up in Little Rock.

She actually affiliated to the music of her people, and she capital to put that into her autograph more.

She now had the aplomb to booty a airy and aloof put it anon into one of her pieces.

Her student, Margaret Bonds, additionally actually accepted these accepted styles, and there’s a allotment I’m activity to comedy by Margaret Bonds.

And you’ll apprehend jazz, you’ll apprehend blues, and a absolute accurate presentation of a acclaimed airy will additionally appear.

-Which one is that?

-Well, I anticipate you’ll know. Aloof delay until you apprehend it.

-Okay.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ -In an old Black abbey on the South Side, Alfreda and Rod showed me how Price brought spirituals into her music.

So what are you activity to sing for me, Rod?

-‘My Soul’s Been Anchored in the Lord’ by Florence Price.

She took the European art appearance of art songs like German French and Italian art songs, and activated that blueprint to alignment this abundant spiritual.

-So aback you say Florence Price abiding it, it’s not article she actually originally wrote.

The tune she didn’t address herself.

-No, the tune comes from the attitude of Negro spirituals, and afresh she pianistically begin a way to use that, and afresh we sing the absolute melody from the airy that’s allotment of our old tradition.

-So it’s like bisected Schubert, bisected bondservant song.

-That’s actually right. -That’s right.

-That’s amazing, isn’t it? -Yeah.

Well, she’s trained. -Wait till you apprehend it.

She had in apperception Marian Anderson, African-American contralto.

She was one of the greatest choir of the century.

And April 9, 1939, it was articulate by Marian Anderson on the accomplish of the Lincoln Memorial… -Wow. -…in advanced of 75,000 people.

-Can you imagine?

-She bankrupt her eyes and she began to sing ‘My country, ’tis of thee, Sweet acreage of liberty, Of thee we sing.’

-Huh. She afflicted it.

-She afflicted it to accommodate all 75,000 people.

And one of the pieces she concluded with was ‘My Soul’s Been Anchored in the Lord.’

-Okay, now I actually can’t delay to apprehend it.

[ Laughter ] -Maestro.

♪♪ ♪♪ -♪ In the Lord, in the Lord ♪ ♪ My soul’s been anchored in the Lord ♪ ♪ In the Lord, in the Lord ♪ ♪ My soul’s been anchored in the Lord ♪ ♪♪ ♪ I’m activity to adjure and never stop ♪ ♪ My soul’s been anchored in the Lord ♪ ♪ Until I ability the mountaintop ♪ ♪ My soul’s been anchored in the Lord ♪ ♪ Oh, yes, my soul’s been anchored in the Lord ♪ ♪ Mm, my soul’s been anchored in the Lord ♪ ♪♪ ♪♪ ♪ In the Lord, in the Lord ♪ ♪ My soul’s been anchored in the Lord ♪ ♪ In the Lord, in the Lord ♪ ♪ My soul’s been anchored in the Lord ♪ ♪ God knows my soul’s ♪ ♪ Been anchored in the ♪ ♪ Lord ♪ -Back in Little Rock, I had one added chat with Sybil Jordan.

Though a few ancestors adolescent than Florence Price, in a way, she carries on her legacy.

Is this the aforementioned aerial academy that was the Little Bedrock Nine with the National Guard and all that stuff?

That’s this building? -Yep.

-On the stairs with bayonets.

-This was the armpit of affiliation in Arkansas.

-Desegregation -Desegregation. -The attempted desegregation.

Yes.

-What is your affiliation to this place?

-In September 1959, I became the aboriginal African-American alum of Little Bedrock Central Aerial School.

The alone apprentice in my chic who was African-American in our chic numbered 544 who graduated.

Yeah.

-How did your parents feel about sending their — their babyish into this array of a situation?

I mean, were they scared?

-No, my parents could not accept done this if they were frightened.

My parents were absolute abundant complex with the NAACP.

In fact, they would, alike if they were frightened, they would not accept conveyed that to me because they capital me to be confident.

-Were bodies nice to you?

-I was alone so that I had the acquaintance of maybe actuality announced to over three years by no added than two people.

-Wow. -Mm-hmm.

Our antecedents and foremothers from bullwork accept consistently believed that the promises of capitalism could be ours and that what you accept to do is you accept to break animate and that you accept to do well, that you accept to be prepared.

And so I was laser focused on the actuality that if I did able-bodied actuality that there would be amaranthine possibilities and that conceivably I would be able to be the aboriginal of my bodies to accept opportunities in association that had been denied us before.

And so I smile aback I arise actuality because how could I accept accepted that that would arise true?

That that would be accurate in my life?

-What came abutting for you?

-I went abroad to college.

I got my doctorate at Teachers Academy at Columbia, and afresh I formed at the GTE Corporate Foundation in Stamford, Connecticut.

I went off to the University of Wisconsin Madison, went to Georgetown, Texas, and formed at a clandestine academy there.

And afresh afterwards 30 years, I came home to Little Bedrock in 1996 because I became the admiral of the Winthrop Rockefeller Foundation here.

-It seems like you’ve had a actually acclaimed career, Sybil.

I mean, your activity angry out apparently greater than your parents would accept anytime dreamed in a way that, sadly, Florence Price never actually got to that point.

And I angle on Florence Price’s shoulders.

Because it was timing, it was timing in a society, it was timing in what happens for women, it’s timing for what was advance for African-Americans so that she was a woman afore her time.

-Mm-hmm.

♪♪ ♪♪ You know, I’ve been cerebration a lot about Florence Price and her music.

And, you know, it’s so abundant that anybody is arena her music and she’s accepting so abounding performances and bodies adulation it.

-Yes, absolutely.

-But the cast ancillary of that is it actually is sad that she didn’t get to acquaintance so abundant of her own success.

-I anticipate what’s actually difficult, too, is that she had the one premiere with the Chicago Symphony and such a abundant orchestra, but then, how abounding affairs she get for an orchestra of that caliber?

-After that? -After that.

So few, too few to count.

And there’s belletrist breadth she’d accounting conductors, breadth she said, ‘If you can absolve the affliction of my chase and my gender…’ -Mm.

-And I anticipate of the two of us.

I mean, if we were active during that time — -It would accept been hard.

-We would accept had the aforementioned affectionate of struggles, and I-I aloof feel if everybody could accept looked accomplished this affliction that she mentioned and aloof listened to her music and accepted it, afresh this — we wouldn’t accept had to delay until now to be adored by it.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ -Florence Price gave us the aboriginal actually American classical music.

Based in the Romantic tradition, but afflicted by the music of Black America, the spirituals, gospel, blues, and applesauce that shaped the accepted music of all America.

She and we would not be who we are afterwards it.

♪♪ I’m Scott Yoo, acquisitive that you will now apprehend this.

♪♪ ♪♪ -To adjustment this affairs on DVD, appointment ShopPBS or alarm 1-800-Play-PBS.

This affairs is additionally accessible on Amazon Prime Video.

♪♪ To acquisition out added about this and added ‘Great Performances’ programs, appointment pbs.org/greatperformances.

Find us on Facebook and chase us on Twitter.

♪♪ ♪♪ ♪♪ -Next time on ‘Great Performances,’ I’m at a teaching anniversary breadth the pros advice adviser the abutting generation.

This year, we’re arena the music of Aaron Copeland to acquisition out how he authentic the American sound.

-And he advocated autograph in a added lean, able style.

-More Copeland. -More Copeland, right.

-In the abutting adventure of ‘Now Apprehend This,’ get to apperceive Copeland, administrator of American music.

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